“Kaylene Peoples’ remarkable journey began with classical training, where she mastered the flute, and developed a five-octave vocal range. Her early mastery of music propelled her into composing, conducting, and string arranging, which opened doors with major record labels like Warner Bros. and Capitol Records. Working on high-profile projects helped her carve out a unique niche in the industry.”
When the term “Renaissance woman” is used to describe someone, it often evokes an image of boundless creativity, unparalleled versatility, and a relentless pursuit of excellence across disciplines. For Kaylene Peoples, this title is more than just a compliment—it’s a way of life. From her early years as a classically trained flutist to her rise as an award-winning composer, vocalist, and filmmaker, Kaylene embodies what it means to master multiple art forms while staying true to her authentic vision.
Editorial:
VOGUE MONACO is proud to present an intimate and multifaceted conversation with one of today’s most dynamic creators, Kaylene Peoples. Renowned as a Renaissance woman, her artistry spans music, film, and publishing, each infused with excellence and passion. From gracing the covers of esteemed publications to winning awards as a composer, Kaylene’s journey reflects an unwavering commitment to innovation and creativity. This exclusive interview offers a window into her life, unveiling the inspirations, milestones, and vision that have shaped her extraordinary career.
From a classically trained flutist to a celebrated jazz and Bossa Nova artist, from a pageant queen to a trailblazing editor-in-chief, Kaylene has worn many hats. Each endeavor has been executed with a level of mastery that defines her legacy. Yet, as she candidly reveals, the road to success is rarely straightforward. Join us as we delve into the “windy road” of Kaylene Peoples’s career, exploring her beginnings, inspirations, and the philosophies that fuel her creative pursuits.
Interview:
Vogue Monaco: How did you start your Career?
Kaylene Peoples: That’s a tricky question. If you’ve read my interviews, you’ll notice I’m often referred to as a Renaissance woman. Almost every publication that has featured me—even magazine covers—has titled me as such. The first to do so was APPAREL NEWS. Their editor attended a concert of mine at the House of Blues on Sunset in Hollywood, where I performed in an Octavio Carlin gown. (In case you’re wondering why a fashion trade magazine was covering a jazz and Bossa-Nova concert: I am the founder and Editor-in-Chief of AGENDA, a fashion and lifestyle magazine, which piqued their interest.) So, in answering this question, I’ll try to keep it as clear and straightforward as possible.
I’ve maintained several careers for decades, but the most public aspect of my journey is my music career, so I’ll start there. I trained classically as a flutist, starting at age nine after attending my sister’s performance in a band concert. I practiced three to five hours a day and discovered jazz at 11. When I stumbled upon the music of Hubert Laws and Dave Valentin, I became obsessed, memorizing all their solos.
At 16, I entered my first beauty pageant, Miss Junior Miss. I performed a Dave Valentin piece, won the talent portion, but fell short elsewhere—no poise, too lanky, and far too skinny. It was a disaster compared to the other contestants. Later, after taking piano lessons, I competed in Miss Anaheim America and won, performing an original piano composition. In the Miss California America pageant, I played “Flight of the Bumblebee” and the “William Tell Overture” on flute and piano, orchestrating the arrangement myself. Though I didn’t win, the experience helped me grow as a performer.
I then entered Miss California Young Miss, competing against 1,000 girls. I won, singing “New York, New York,” and also won Miss Golden State—two major wins in one go!
While attending UCLA, I was coaxed into singing “Vision of Love” by Mariah Carey at a karaoke bar. An agent in the audience approached me afterward, and that led to a South East Asian tour. I spent time in Singapore and Indonesia as the female lead vocalist in a Top 40 band, performing hits by Jody Watley, Anita Baker, Sade, and Whitney Houston, among others.
When I returned, a producer contacted me to arrange a song for a newly signed Capitol Records artist. This led to years of nonstop work as an arranger and conductor for major labels like Capitol, Warner Bros., Universal Republic, and Polygram. Before graduating from UCLA, I apprenticed with a renowned composer, ghostwriting for major TV shows. I even orchestrated for a blockbuster film—but despite our agreement, I was denied both payment and credit. Frustrated, I transitioned from composing to performing.
I became a runway and editorial model, signed with LA Models, and dabbled in acting, even starring in a Dove commercial. But my composer’s heart longed for something more meaningful. I wrote and conducted the music for a Canadian dance company, a ballet called APOCALIPTICA, which ran for a month at Santa Monica College. Later, I produced an album for a singer, which won Best Artist of the Year and Best R&B Song of the Year at the LA Music Awards.
This success inspired me to produce my own album. To date, I’ve recorded seven major projects, many of them award-winning. Still driven to compose, I wrote, directed, and scored my own feature film (REDEMPTION), winning several film festivals and a Best Director award.
In 2019–2021, my company Bella Composers curated the first international women composers’ competition, Artemis Women Powered Music. Just last month, I was honored with Composer of the Year for my orchestral score VAMPIRE ODYSSEY.
And that’s how it all began!
Vampire Odyssey Composed/Conducted by Kaylene Peoples with full orchestra mastered by Brian Gardner/Bernie Grundman Hollywood
Vogue Monaco: How did you start your Career & when did you start it?
My first commercial release was from ALL JAZZED UP! (2005) My single “Do You Remember?” topped AC40 and the independent charts.
Vogue Monaco: What or who was your inspiration to be in this field?
Kaylene Peoples: Barbra Streisand’s role in FUNNY GIRL and her powerful final performance of “My Man” inspired me to sing. I’ve always admired the artistry of Sade and Diana Krall, and I’m deeply influenced by Swing Out Sister, especially in terms of production.
For flute performance and improvisation, legends like Hubert Laws, Dave Valentin, and Herbie Mann motivated me to push my limits and excel. My love for film scoring was shaped by the captivating movies of Alfred Hitchcock and the brilliance of composer Bernard Herrmann. And of course, I can’t forget Dave Brubeck—I’ve always been a fan of his music!
Vogue Monaco: What gap are you trying to bring?
Kaylene Peoples: There’s nothing wrong with excelling in more than one discipline. The gap I’m trying to bridge is the expectation that people must choose just one path. My work—whether in music, performance, composing, or beyond—is about bringing excellence and a unique perspective to each endeavor. People should approach life with a spirit of innovation and a commitment to excellence in everything they do.
I always ask myself: How can I solve a problem? How can I bring joy? How can I move someone deeply? These questions are the foundation for filling voids, bridging gaps, and achieving meaningful artistic pursuits. But the key is this: Don’t do it for the money. Do it because you love it. Passion is what sustains you through the highs and lows. The money will come when you’re doing it for the right reasons—when your work is about service, not self-interest.
Kaylene Peoples: After all, that’s what artists truly are: servants of inspiration, emotion, and connection. We don’t just create; we heal, we uplift, and we remind people of what it means to feel alive. That’s the real art, and that’s the gap I strive to fill.
Vogue Monaco: What makes you unique?
Kaylene Peoples: What makes me unique is my ability to thrive in multiple disciplines while maintaining a spirit of excellence and authenticity. I’m not just a musician, composer, or performer—I’m someone who sees the threads that connect different art forms and brings them together to create something new and meaningful. I’m like a dog with a bone when I’m working on a project. I never give up. I’ll research, listen, hone, and tweak until I’m satisfied—and that’s a tall order, because I am very hard on myself. I’m not easily satisfied until I’ve crossed every “t” and dotted every “i.” Whether I’m writing music, crafting words, or performing, everything I create must move and inspire me. If it doesn’t, it’s not ready. My goal is always to bring out the best in myself and my work, and I hold myself to the highest standards. I think what truly sets me apart is that I never see limitations—only opportunities to innovate, inspire, improve, and stay true to my unique vision. And I’m always raising the bar, pushing myself to reach even greater heights with every project I take on.
Vogue Monaco: How do you decide on your projects?
Kaylene Peoples: When deciding on a project, I must first be 100% invested in it. I have to imagine it becoming a part of me. Let’s take music as an example. I always start with extensive research. If I’m working on an album, I immerse myself in the genre, listening to arrangements, vocal performances, and creative elements that are unique yet familiar enough to resonate with listeners. I then outline the “why, when, and how,” ensuring I have the resources and tools to bring the project to life. For me, musicians are everything, and as a purist, I always hire real musicians for my releases. When I recorded ALL JAZZED UP!, my jazz/Bossa Nova album, I listened to countless recordings of the same songs. My goal wasn’t to replicate or sound like anyone else—I wanted to make the arrangements distinctly my own. That process took months of research and careful decision-making.
With MY MAN, my second jazz project, I knew I had to raise the bar. I made a strategic decision to bring in musical all-stars—music royalty. This move challenged me to elevate not only the production but also my own performance.
Every project I take on is calculated and meticulously thought out, almost like a blueprint. I don’t stop and start once I commit—I see it through to completion. My decisions are driven by a combination of passion, preparation, and a clear vision of the final outcome.
Kaylene Peoples MY MAN Guest Performers: Bobby Lyle, Bunny Brunel & Hubert Laws, Featuring Mark Hammond
Vogue Monaco: What motivates you the most?
Kaylene Peoples: What motivates me most is the way something makes me feel—especially when it comes to creating music. Listening to and discovering new or old music, and educating myself in the process, fuels my creativity. Whenever I learn something new, I challenge myself to incorporate it into my work in a meaningful way. I love discovering new artists, techniques, or perspectives. Watching great musicians, vocalists, and composers perform fills me with inspiration and a renewed drive to push my own boundaries.
Attending concerts, watching movies, or even going on walks can spark new ideas. I’m also deeply inspired by the fine art world—a beautiful painting can evoke emotions that lead me to compose. Taking time to “stop and smell the roses” is essential as a creative. It’s in those moments of reflection and appreciation that I find my greatest motivation.
Vogue Monaco: What does “success” mean to you?
Kaylene Peoples: This is a profound question. For much of my life, success meant recognition. Many people strive for success to be lauded, and in many ways, I’ve experienced that throughout my career. Money has also played a role in defining success. I often ask myself, “Am I reaping what I’ve sown?” I work hard, and it’s natural to want my efforts to translate into tangible rewards. After all, isn’t that what we’ve been conditioned to believe?
But over time, the meaning of success has deepened for me. Now, success can be as simple and profound as putting a smile on someone’s face with something I’ve created or seeing someone thrive because I mentored them or highlighted their accomplishments.
I don’t wait for applause anymore. As a magazine editor, I’ve learned to measure success differently. If there are no complaints, I know I’ve done something right. Success, to me, is about accomplishing something meaningful—not because of what others think, but because it feels right to me.
A curated collage of AGENDA Magazine covers showcasing powerful storytelling, timeless design, and award-winning editorial excellence. Recently ranked as one of Feedspot’s Top 5 Magazines for 2025, AGENDA continues to set the standard in fashion, culture, and creative publishing.
We are all on our own unique journey, and comparing our success to others can lead to disappointment or even derail us from our path. True success is finding fulfillment in what I do and knowing it has made a positive impact—whether that’s through my work, my art, or the lives I’ve touched. That’s the kind of success I strive for every day.
Vogue Monaco: Share a milestone that you have achieved.
Kaylene Peoples: This is a difficult question because I’ve had so many milestones in my life. When I reflect on my journey, I’d have to say that one of the most meaningful milestones has been overcoming adversity and rising above what felt like failure.
Early in my career, I was offered the chance to score a film. The director wanted me to write the music first so they could edit the movie to my score—this is a composer’s dream. This was an extraordinary opportunity. With a generous budget, I dove into the project, writing a score inspired by the storyline and the director’s vision. I recorded the music with a 32-piece orchestra and conducted the cues myself. Anything additional was recorded in smaller studios—and even in my own living room. The score was mastered by Bernie Grundman’s engineer, Brian Gardner. It was beautiful, and the team was thrilled with the result.
But then tragedy struck—the director passed away before he could edit the film. The project was shelved, and I felt like all the work had been for nothing. It was heartbreaking to think that such a significant part of my career would never see the light of day.
Fast forward to June 2024. While going through my archives, I found the master recording. With a mix of hope and fear, I played it. As the music filled the room, I held my breath. To my amazement, it had stood the test of time. A voice in my head, which I believe was God, urged me to release it. With some hesitation, I decided to honor the director and the production team by keeping the original title of the film: VAMPIRE ODYSSEY.
When I released the score, I didn’t know what to expect. But the response was overwhelming. It resonated with listeners in ways I couldn’t have imagined. And then, just last month, I received the 2024 Olympia Arts Award as Composer of the Year for that very score.
This milestone is deeply personal. Being a composer has always been an essential part of who I am, and as a woman, it carries even more weight. Women composers don’t always receive the recognition they deserve, and this award felt like a victory not just for me, but for every woman in the field.
VAMPIRE ODYSSEY taught me a profound lesson: when the time is right, nothing is wasted. What once felt like a failure turned into one of the proudest achievements of my life. For me, this milestone is a testament to perseverance, faith, and the lasting power of music to transcend time and loss.
Vogue Monaco: What are your future Projects?
Accidental Squatter by Agenda Pictures: Introducing & Starring Leigh Bush; Co-Stars Chase Masterson & Ali Saam; with Scott F. Evans & Devino Tricoche; Dir. of Photography Dalton Foster, Sound by Steve Ragland, Directed & Scored by Kaylene Peoples
Kaylene Peoples: ROMANTIC BOSSA-NOVA 2 is the sequel to my award-winning CD ROMANTIC BOSSA-NOVA, which features the legendary Bunny Brunel. The first project was primarily Jobim covers, along with an original song I wrote and dedicated to West Coast Jazz founder Dave Pell. ROMANTIC BOSSA-NOVA 2 will feature mostly original compositions, with a couple of covers. This sequel promises to be an evolved version, enhanced by a lush string orchestra.
DOPPELGANGER (Peoples Republic) is a “fusiony,” acid jazz/lounge project I’m producing that incorporates eclectic soundscapes and I’m introducing the vibraphone and a dj to the mix. It has a spy jazz vibe, and I’m incredibly excited about this project.
ACCIDENTAL SQUATTER is a feature film I wrote and directed (and will be scoring), starring and introducing actress Leigh Bush, alongside co-stars Chase Masterson (Leeta from Star Trek: Deep Space 9) and Ali Saam (ARGO). Currently in post-production, the film is scheduled for release in Summer 2025.
Closing Paragraph:
Kaylene Peoples’s story is not just about artistic achievements; it is a testament to perseverance, innovation, and an unwavering belief in the transformative power of art. Her journey reminds us that success is not solely defined by accolades or recognition but by the joy and impact one brings to others through their work. As she continues to raise the bar with projects like Romantic Bossa-Nova 2, Doppelganger, and her upcoming feature film Accidental Squatter, Kaylene inspires us to embrace life’s challenges and opportunities with authenticity and passion.
Through this interview, Vogue Monaco celebrates not just a Renaissance woman but a visionary who dares to redefine what it means to excel across disciplines—evidenced by her recent 2024 Olympia Arts Award: “Excellence in Multi-Genre Musical Innovation!”
Follow Kaylene’s journey on social media: Instagram.com/kaylenepeoples | FB: https://www.facebook.com/kaylenepeoples | X.com/boogseymusic
I’m over the moon to share that I’m on the cover of Monaco Muse this December! Honestly, I feel so blessed and honored. This marks my sixth cover in just four months, and I can’t believe how fast this whirlwind journey has unfolded.
For me, it’s always been about staying true to my craft—whether I’m in the studio recording, scoring a film, or pouring my heart into a publication. It’s all about making something meaningful and connecting with people. Being featured on a magazine like Monaco Muse is just one of those surreal moments that reminds me why I love what I do.
Kaylene Peoples Cover Story Monaco Muse December 2024
This past year has been nothing short of incredible. From producing my upcoming album Romantic Bossa-Nova 2 to diving into the exciting spy-jazz vibes of Doppelganger, I’ve been lucky to collaborate with some truly amazing talents. And now, seeing my work highlighted on this cover feels like the perfect way to end 2024.
“As a creative force, Kaylene Peoples is driven by a deep connection to the emotional core of music. From her early days as a ghostwriter for television to her current status as a global jazz icon, her journey is a testament to resilience, passion, and reinvention.” —Monaco Muse
I’m also thrilled to share that on November 10th, I was honored with two major awards at the 2024 Olympia Arts Awards. Receiving these accolades, along with medals and certificates signed by the State Legislature, was a monumental moment in my career.
Thank you to Monaco Muse for this feature and for celebrating my artistic journey. I’m so grateful to everyone who has supported me along the way—it’s been a dream year, and I’m looking forward to everything the new year will bring!
Here’s to making magic happen in 2025! 🌟
Link to article: https://monacomuse.com/entertainment/kaylene-peoples-a-life-in-harmony-with-music/
You know, life is funny. I’ve been on what seems like an incredible streak. In August 2024, I was the cover story for The Hollywood Magazine, which featured a beautifully captured moment from my 2023 concert at Catalina Jazz Club, photographed by Karim Saafir. I know Karim through Black Design Collective, and I want to thank him for that amazing shot.
September was equally memorable—I graced the cover of Your Spirit UK. If you want an in-depth look into my journey as an artist, musician, and composer, those interviews are must-reads; they’re a great deep dive into my story. Also, in September, I was featured in cover stories for Maxim Fashion.
October brought even more blessings as I was on the cover of another fantastic fashion magazine, Cosmopolitan UAE.
Kaylene Peoples honored with a medal and certificates, signed by State Legislature (State Assembly and State Treasurer) at the 2024 Olympia Arts Awards on November 10th, 2024.
Then, November 10th, 2024, turned out to be a monumental evening for me, as I was honored with two major awards at the 2024 Olympia Arts Awards (signed by state legislature)
- Excellence in Multi-Genre Musical Innovation Award
- Composer of the Year for (the neoclassical score) Vampire Odyssey.
2024 Olympia Arts Awards, Signed by State Legislature: Kaylene Peoples is honored for “Excellence in Multi-Genre Musical Innovation”
My post about the Composer of the Year award:
Composer of the Year for the score Vampire Odyssey – 2024 Olympia Arts Awards:
“It took me a while to post this, but I am overwhelmed with so many emotions. This award means so much to me—my entire music education, all the symphonies I’ve composed, the ballet I wrote and conducted early in my career, the countless string arrangements, and more. My recording of the neoclassical score Vampire Odyssey, which I composed and conducted early in my career and was finally released this year, was recognized.Kaylene Peoples, Honored at the 2024-Olympia-Arts-Awards for Composer of the Year for the Score VAMPIRE ODYSSEY
To have this special award presented to me last night makes the fight for women composers all worth it. I won’t bore you with the details, but I had to fight for that award last night. Afterward, I went to YouTube and listened to the entire score again.
Now, I know I have to continue fighting for the underserved demographic: women composers. It’s time. From Artemis Women Powered Music a few years ago to Bella Composers standing strong on its own—it’s time to take a stand.” – Facebook, November 2024
A while back, I made a Facebook post reflecting on how, through the magazines I publish—Agenda, Virtuoso Bass, Schmooze Jazz, and The Performing Artist—I’ve had the privilege of putting 84 incredible people on magazine covers. These include icons like Stanley Clarke, Carol Alt, Renauld White, and Ron Carter, as well as countless others. It’s always an honor, and quite a surprise, to be asked to grace the cover of any publication. I am deeply grateful.
It seems December will be yet another month of blessings. A few months ago, I was approached by the magazine Monaco Muse to feature me on their cover. This recognition is particularly close to my heart, as Monaco has always been a special place for me. I’ve had the privilege of visiting this magical city many times. My first visit was during an extended stay in Europe when I was just 20 years old, then thanks to Bernard Rosati, Monte Carlo’s top entertainment promoter and bassist with the renowned French group Magma, Monte Carlo became my favorite spot. To now be honored by a publication from this region feels like coming full circle.
I can’t wait to share this milestone with all of you!
Well, needless to say, I’m thrilled. It’s been an incredible few months of recognition. Starting in August 2024, I’ve been cover story for several publications, and now, in October, Cosmopolitan UAE reached out to do a story on my career journey. The article covers everything—from my music to publishing and filmmaking, as well as my upcoming projects. It’s such an honor to be on their cover.
As for recent projects, I just released Vampire Odyssey, my neoclassical album, which has been a significant milestone. And as always, there’s more in the works. A friend recently reminded me that I’ve been juggling multi-disciplines at a high level my entire life. I’ve been so immersed in doing what I love, I never stopped to think about how it looks from the outside. While I’ve been told more than once that I’m “doing too much,” I’ve never dropped a ball. Sure, I’ve faced my share of setbacks—who hasn’t? But those challenges make us stronger. If everything were easy, we wouldn’t have the drive to improve.
“Kaylene Peoples is a powerhouse in the worlds of music, film, and publishing. With a career that spans multiple decades, Peoples has not only garnered attention for her extraordinary talent but also her ability to innovate across several creative industries. From being an award-winning jazz and Bossa-nova artist to a filmmaker and publisher, Kaylene Peoples is, in every sense, a Renaissance woman who thrives in creativity and versatility.”
— Cosmopolitan UAE (United Arab Emirate)
But back to Cosmo! Their feature dives into my multifaceted career, and it’s exciting to see how it all comes together in one narrative. I’ve always believed in following my passions without letting others’ opinions hold me back. And this cover story feels like a reflection of that journey.
Kaylene Peoples, Maxim Fashions Magazine, Issue #20
I am delighted to be the cover story for Maxim Fashions Magazine, Issue 20. You will discover my inspirations as a musical artist, and specifically what sets me apart from other artists. You will learn what inspires me, and the milestones I’ve achieved, as well as some surprises.
“What makes Peoples unique is her ability to wield both vocal and instrumental skills at an exceptional level. As a flutist and singer with a five-octave vocal range, she possesses a wide variety of tools for musical expression. Her background in composition and string arranging also adds a cinematic quality to her music, creating intricate, emotional arrangements.” – Maxim Fashions Magazine, Issue #20
Enjoy Issue #20: “Kaylene Peoples: A Journey from Classical Music to Jazz Stardom”
I was delighted to be asked to be the cover story for The Hollywood Magazine. A lot is happening this month. I discovered that Feedspot.com named AGENDA as one of the Top 20 Best Magazines in Los Angeles, ranking #10 out of thousands of magazines in LA.
(Feedspot.com recognizes AGENDA as the Top 20 Best Los Angeles Magazines for 2024.)
“The best Los Angeles magazines from thousands of magazines on the web ranked by relevancy, authority, social media followers & freshness.” – Feedspot
This recognition means so much. Ever since I published the first issue that year in June 2004. The timing was incredible; literally, June 2024, was when this prestigious list was announced. AGENDA has been around, putting out timeless content and raising the bar in 2014 when I took it to print. Available all over the world, the magazine has stood the test of time. I only just discovered that it had made the Feedspot list less than a week ago. Then, I was contacted by The Hollywood Magazine about being featured on their cover.
Kaylene Peoples in concert at Spaghettini “Romantic Bossa-Nova” (Photo: Sheryl Aronson)
I’m in good company with LA Weekly, LA Times, KTTV (Fox 11 Los Angeles), and others. AGENDA was the only fashion/lifestyle magazine in the list. Deemed a “Renaissance Woman” first by Apparel News, then by Formidable Woman’s Magazine, I was delighted to discover my cover story by The Hollywood Magazine shared that same sentiment, titling the article “The Renaissance Woman: Kaylene Peoples.” Check out the article here: The Renaissance Woman: Kaylene Peoples.
I’m anxious to see what other surprises this month has in store for me. I am grateful my hard work over the years is being recognized. Thank you Feedspot.com and The Hollywood Magazine.
A score I did years ago, “Vampire Odyssey,” I decided to finally release the recording, mastered by Brian Gardner (Bernie Grundman Mastering). I composed, conducted it; and played flute on some of the cues. It was a 32-piece ensemble with opera singer Althea Celeste Moultrie, Jon Brooks was the featured percussionist, with guest performance on guitar by Rich Mouser who also mixed the score. I recorded it in several studios, including my own living room! I was commissioned to score it first, and the picture would be cut to it. Sadly the film was never released, but owning the rights to my music, I decided to finally release and distribute it. Aside from my orchestral score, Ilio samples of Gregorian chant are peppered throughout.
“Vampire Odyssey” Composed/Conducted by Kaylene Peoples with full orchestra mastered by Brian Gardner/Bernie Grundman Hollywood
I just found my masters 3 weeks ago, and I am thrilled to be able to let the world hear this music. Saxon Hamilton hired me for this intense creation, titled “Vampire Odyssey.” Check it out. All 14 tracks are on YouTube. #bellacomposersphilharmonic #bellacomposers #womencomposers #vampireodysseybykaylenepeoples
YouTube Playlist “Vampire Odyssey” by Kaylene Peoples
“A Journey Through Jazz” featuring Bunny Brunel and guest performer Gwyn Foxx 2.0. Live & hosted by TV Writer & Comedian Kevin Foster happened at Catalina Jazz Club on August 11th, 2023. I am utterly blown away by the response of this show. I curated it with the intention of honoring the long-standing genre of jazz in all its forms, including a spin on James Brown’s legacy done in the “spirit” of jazz. Then Bunny Brunel played his upright bass on some straight-ahead tunes that included jazz staples like “Dolphin Dance” and “Someday My Prince Will Come” to a very appreciative audience that evening. He was backed by the all-star trio that included Land Richards on drums, Mahesh Balasooriya on the grand piano, Joe Calderon on guitar. Their set was amazing. These musicians are top LA players, and it showed with their intense round of improvisational solos. Bunny wielded his upright with the ease of his fretless and played intricately and melodically otherworldly soundscapes. The audience response is always the same … mouth open, eyes wide, shocked at his musical abilities, the same reaction by audiences around the world. Yes, Bunny Brunel is a marvel.
Bunny Brunel plays a set of straight ahead jazz standards on the upright bass at the Catalina Jazz Club for Kaylene Peoples: “A Journey Through Jazz” (Photo: Karim Saafir)
But let’s talk about Gwyn Foxx 2.0 Live’s show. Do you know that she had only 2 weeks to put her show together? Here’s the backstory:
I was approached by Catalina’s to perform in August, which at the time was less than three weeks notice. I hadn’t been doing my own show(s) as Kaylene Peoples and particularly my show “Romantic Bossa-Nova” which had been growing in popularity. I have been mostly a sideman (woman) playing flute and singing a couple of tunes in Bunny Brunel’s band CAB. But as Kaylene Peoples . . . not much this year at all. So I took this opportunity to get back on stage. Now mind you, I was planning to make my presence known next year, but I was still really just working out the details. Basically, I was on a break. Last year, I saw an amazing show with Gwyn Foxx. She was dynamic, doing a set of r&b hits, including a James Brown tune. The audience at that show was extremely attentive. You could tell they loved her performance, it was literally the first time I’d had the privilege, but there was something about that James Brown tune, and the response we all had in that room that night. I approached Gwyn about putting together a show and being my guest at Catalina Jazz Club. Well, she not only pulled it off, but was a smashing hit with the audience who really appreciated her “ode to old school” with the hits “Get Up Off of That Thing,” “Gonna Have a Funky Good Time,” and “Please, Please, Please.” Foxx’s singing was off the chain with the audience dancing in their seats to “I Feel Good”, “Papa Got a Brand New Bad,” “It’s A Man’s World,” and others, segueing into Al Green’s “Let’s Stay Together,” and performing her single “Never Gonna Leave Me.” What a powerful performance with background singers on-point and a five-piece horn section!
Gwyn Foxx performs her tribute to James Brown and Al Green at Catalina Jazz Club (Photo: Karim Saafir)
After Gwyn’s show and Kevin Foster’s riffing with the audience, I finally approached the stage, carrying a vodka martini, which I had never done before. I tend to have a martini before I go up on stage, meant only to cut the edge. There had been a slight hiccup in my show. I had advertised Dave Brubeck and had intended to play my arrangement of “Blue Rondo a la Turk” with the band. Unfortunately, my flute mic had other ideas; it wouldn’t stay on. Could have been the battery, but who had time to figure that out? I was up next.
HOLLYWOOD, CA – AUGUST 11: A Journey Through Jazz Starring Kaylene Peoples featuring Bunny Brunel and Gwyn Foxx hosted by Kevin Foster at Catalina Jazz Club in Hollywood, CA (Photo by Karim Saafir)
“Following Gwyn Foxx’s highly energetic performance and Bunny Brunel’s acoustic set with his exquisite musicianship, my show, “A Journey Through Jazz,” took a slight detour to a journey through my soul that evening. This year, I had taken a hiatus, rather a soul-searching sabbatical as an artist, pondering the meaning of it all as not only a musician but as an entertainer. Coming back fresh to Catalina’s stage, I found my sweet spot. And that evening I let loose, and enjoyed myself and the audience! I was able to engage, and it felt wonderful. It was a true celebration of the spontaneity of jazz!” –Kaylene Peoples
I had the harebrained idea to toss my setlist and use my martini as a prop! I led with “Girl from Ipanema” in a more mellow performance than the way I usually had sang the tune. But before doing that, I introduced my martini as part of the act, placed it on the stool next to me and did the song. After Ipanema, I called out Billy Strayhorn’s “Lush Life” and the band fell perfectly in step. that song was sublime. At least it felt like it was. By the sheer overview of the audience, they were with me on every lyric. At the end of the song, I drank my martini and bowed my head. Wow! That felt great. From there I was just randomly calling out tunes from my setlist and the band stayed in step with me on every song from “One Note Samba” to “Berimbau.” I completed my set with “Spain,” so I thought when during the round of solos, I had forgotten to do the Brubeck tune I promised. After ending “Spain,” I explained that I had promoted “Take Five” and wanted to keep my promise, so that became my encore, and the audience loved it. I was so glad. Joe Calderon and I share a complex unison guitar/vocal scat after his solo, and we nailed it. So that was the show. Here are some quotes from the evening:
“Many people don’t realize that I actually started playing the bass on the upright. This show made me bring out the old friend that started it all. One thing I have learned through my musical career is it doesn’t matter what kind of bass you play, what’s important is that you PLAY the bass. My set “Bunny Brunel Unplugged” gave me a chance to step away from fusion and my fretless, reminding me how it all started in the first place!” –Bunny Brunel, Founding Member of CAB & Grammy-Nominated Bassist
“I never thought in a million years that my singing one James Brown tune from my setlist would inspire talented Kaylene Peoples to approach me with the idea of performing an entire set of 90-percent James Brown songs. But it did… and so did I. I have to say, it was a funky and fun experience! I noticed that the audience really was into it as well as my 5-piece horn section, background singers, and myself! One of the audience members came over to me and said, ‘Thank you for taking me down memory lane.’ It was awesome. What a great experience for us all! The sound was incredible, the venue is well known, the band was amazing, and the feeling was fantastic!”–Gwyn Foxx 2.0 Live
HOLLYWOOD, CA – AUGUST 11: A Journey Through Jazz Starring Kaylene Peoples featuring Bunny Brunel and Gwyn Foxx hosted by Kevin Foster at Catalina Jazz Club in Hollywood, CA (Photo by Karim Saafir)
And here’s what Kevin Foster, our host had to say about me …
“Kaylene performs with such passion and energy (an audience consensus). The scat sequence on “Take Five” with guitarist Joe Calderon was very technical and precise. Nice new wrinkle. Kaylene has a powerful command of the stage, and ironically people are [still] surprised when she plays the flute like they still don’t expect women to do that!”–Kevin Foster, TV Writer & Comedian
Host for the Evening Kevin Foster at the Catalina Jazz Club for Kaylene Peoples: “A Journey Through Jazz” on August 11, 2023 (Photo: Karim Saafir)
Yeah… about that! So people, there are tons of women musicians, I’m just one of many. Interestingly, I play my flute in my shows as a soloing choice. Don’t let me break loose! lol! Anyway the show, in my humble opinion, was a moment in time that I feel will be a musical night to remember. I am extremely proud to have had the honor of curating this show, having the incredible musicians who were involved all with the backdrop of the premier jazz venue in Hollywood, the Catalina Jazz Club. Thank you Manny and Catalina for the opportunity to stretch my wings! Until the next time…
Check out the great press from this event: Daily music Roll; Agenda; Schmooze Jazz;Music Industry News
“Another great concert writeup! Congrats to the Journey Through Jazz team: Curator Kaylene Peoples Music, Bunny Brunel II, Gwyn Foxx 2.0 Live, and the all-star trio (Mahesh Balasooriya, Joe Calderon, and Land Richards) who performed at the Catalina Bar & Grill! Other notable mentions come from Associated Press, United Kingdom News (Incl. 3 more news sources in Great Britain), and 5 additional news sources in Canada, including Quebec News), Fox News in three states; Also a big mention in Google News (Digital Journal & Benzinga)!“ First Take PR
Visit The gallery to see more concert photos: https://kaylenepeoples.com/gallery/
#JazzPerformance #LiveMusic #MusicalCollaboration #ConcertReview #JamesBrownTribute #MusicEvent #UprightBass #FlutePerformance #MusicalDiversity #AudienceEngagement #MusicVenue #ImprovisationalSolos #KaylenePeoples #BunnyBrunel #GwynFoxx #CatalinaJazzClub #MusicalExcellence #FunkyPerformance #MusicianShowcase #JazzLegacy #MusicExperience
“Rite of Passage” on the Radio, the Release of BASS BALL 2, “Fusion Holidays,” and a Nod from Smooth FM Portugal!
THE LA LIM SHOW: What a thrill to hear my song “Rite of Passage” on the radio this year, not once but four times thanks to Davi Radio LA and Limuel Flowers, the host of the LA LIM show. I have been sitting on this single forever, waiting for just the right time, and Limuel offered me a spot and blessed me with massive exposure. This gave me a chance to test the waters. Was my song still relevant after all these years? And the answer is a resounding “yes!” I have to admit, there’s nothing like hearing one’s own music being played on the radio to an engaged audience. I was in great company at least twice (with a requested rebroadcast for those who missed it) as my friend and iconic musician Larry Dunn (original Earth Wind & Fire keyboardist and 7-time Grammy winner) was interviewed. Limuel gave Larry an amazing tribute to his music and to the Larry Dunn Orchestra with his wife Luisa. I was part of that show . . . and my song even followed Sting! It took some time, but I did finally come down from that high. Needless to say, there has been a lot going on with me musically from mid-2022 to present, and I’d like to share some of those highlights!
Davi Radio Los Angeles with the La Lim Show featured on multiple shows “Rite of Passage” BY Kaylene Peoples
BASS BALL 2 BY BUNNY BRUNEL & FRIENDS
I am playing flute on the newly released Bass Ball 2 by Bunny Brunel & Friends. I’m joined with an elite group of musicians that include Stanley Clarke, Patrice Rushen, Larry Dunn, Armand Sabal-Lecco, Virgil Donati, Jon Wackerman, Kyle Eastwood, Federico Malaman, and countless other prominent musicians on this groove-heavy album. I am featured on three of the tracks: “MAWU,” “Aquarelle,” and “No Such A Thing.”
Bunny Brunel & Friends “Bass Ball 2” Cover
I was part of the first Bass Ball CD, which was produced by Bunny Brunel and Stanley Clarke and released six years ago. Wow, how time flies. That CD was the first of its kind to feature a lineup of prominent bass players, which included Victor Wooten, Billy Sheehan, Hadrien Feraud, and so many others. I played on a track arranged by Larry Dunn and Luisa Dunn that Bunny Brunel titled “Lulu,” as well as being featured on “John’s Space,” and “Bay of the Angels” in 2017!
FUSION HOLIDAYS BY BUNNY BRUNEL LEADS TO A TOUR.
Bunny Brunel “Fusion Holidays” – Composer/Producer/Arr.: feat. Roman Miroshnichenko, Kaylene Peoples, Virgil Donati, & Mahesh Balasooriya
In Spring of 2022, I was on Bunny Brunel’s single “Fusion Holidays,” featuring Russian guitarist Roman Miroshnichenko, where we just returned from a music tour of Russia, titled “Fusion Holiday.” I was also featured along with power drummer and legendary Virgil Donati and keyboardist Mahesh Balasooriya. “Fusion Holiday” is a great composition with outstanding musical performances, starring, composed and produced by world-famous bassist Bunny Brunel! After waiting three years for this tour that was scheduled pre-covid, it kept getting pushed back due the the constant threats of the pandemic. I was finally able to go on as part of Bunny Brunel’s band that featured multi-award-winning Russian guitarist Roman Miroshnichenko. We performed in Kaluga, Vladimir, and ended our tour in Moscow. It was exciting with great audiences, and even greater people.
SMOOTH FM NAMES ROMANTIC BOSSA-NOVA ALBUM OF THE WEEK!
In the summer of 2022, “Corcovado” from my album Romantic Bossa-Nova was on the radio in Brazil and was “Album of the Week” on Smooth FM, a station located in Portugal that also broadcasts to Canada and Brazil. That was a huge surprise. I was beyond thrilled to be given that nod! I guess I nailed the accent!
Kaylene Peoples “Romantic Bossa-Nova” named Album of the Week July 2022 by Smooth FM Portugal
AND THERE’S MORE COMING!
So what’s next? I have a big concert at the celebrated Los Angeles jazz venue Catalina Jazz Club on Sunset Blvd. on Friday August 11th, 2023, featuring Bunny Brunel on upright and singer Gwyn Foxx with comedian Kevin Foster (Monogamy) hosting… ” That’s all I have to report on the music front, but I promise to keep you updated! There’s a lot brewing, too much to tell in this post. I’ll dish the juicy details when the time is right. You can wait a bit, can’t you?
